Bicycle Thieves Film Analysis

The setting of this movie takes place in post war rome where economic struggles are commonplace.

Bicycle thieves film analysis. Bicycle thieves is a italian film which was made in 1948 directed by de sica and. Viewed in retrospect much of modern cinema can seem to flow from twin fountainheads. Antonio lives in rome in the post world war ii era. With no proof and with the thief s neighbours willing to give him a false alibi he abandons his cause.

Bicycle thieves clearly represents the relationship between ricci and rome as a crisis by constantly showing the struggles of its people during the aftermath of world war ii in the mise en scene. Bicycle thieves film analysis. Bicycle thieves film analysis 802 words 4 pages. Orson welles s citizen kane 1941 and vittorio de sica s bicycle thieves 1948.

In the beginning of the film ricci is called upon because he has been selected for a government job. The bicycle thief directed by vittoria de sica is a film that reflects italian neorealism. At the end of the film in one of the most resonant scenes antonio is sitting on the curb outside the packed football stadium. The film follows antonio ricci the main character during his search for his stolen bicycle.

Antonio a family man is desperately looking for a job like many other men. The bicycle thief de sica s next film was in the same tradition and after the lighthearted miracle in milan in 1951 he and zavattini returned to the earlier style with umberto d in 1952 about an old man and his dog forced out onto the streets then in the view of most critics de sica put his special gift as a director on hold for many years turning out more light comedies. The tendencies they signaled ones soon fused into a singular. Antonio walks away from the house in despair as the thief s neighbours follow jeering at him about his lost bicycle.

After the end of world war 2 antonio ricci who was unemployed and is struggling to support his family is given a job hanging up posters around the war torn of italy rome he was happy at that time because he was given a chance to have a job and support his family. Sometimes known in the united states as the bicycle thief is a 1948 italian neorealist drama film directed by vittorio de sica it follows the story of a poor father searching post world war ii rome for his stolen bicycle without which he will lose the job which was to be the salvation of his young family. Andre bazin described bicycle thieves as the only valid communist film of the whole decade 4 and goes on to state that. Its social message is not detached it remains immanent in the event but it is so clear that nobody can overlook it still less take exception to it since it is never made explicitly a message.